1.0Pracownia Badań nad Neobarokiemhttps://neobaroque.now.2025.uwr.edu.pl/pl/mmatlinskihttps://neobaroque.now.2025.uwr.edu.pl/pl/author/mmatlinski/rich600338<blockquote class="wp-embedded-content" data-secret="pUM7u9lzFF"><a href="https://neobaroque.now.2025.uwr.edu.pl/pl/">Neobaroque and/in the Contemporary World</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://neobaroque.now.2025.uwr.edu.pl/pl/embed/#?secret=pUM7u9lzFF" width="600" height="338" title="„Neobaroque and/in the Contemporary World” — Pracownia Badań nad Neobarokiem" data-secret="pUM7u9lzFF" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://neobaroque.now.2025.uwr.edu.pl/wp-includes/js/wp-embed.min.js </script> Famously associated with the strange attraction of the irregularly shaped pearl, the term ‘baroque’  eludes precise definitions and keeps engendering conflicting emotions in contemporary cultural discourses. The concept of the neobaroque not only inherits the polycentric semantics of baroque but poses additional problems due to the multiplicity of senses attached to the prefix neo. These […]https://neobaroque.now.2025.uwr.edu.pl/wp-content/uploads/sites/579/2024/07/2a-conference-1024x1024.png